As always, it’s a panoramic world for me!

wps-logo I recently became a Pro member of World Panorama Stock, a great stock site that specializes in high resolution, high quality inspirational, Rights Managed only panoramic stock imagery to professional photo researchers, graphic designers, advertising agencies, publishers. I am very happy to be working with them as I am a big supporter of the panoramic format!

Yes, I hardly need to reiterate that I love the panoramic format and World Panorama Stock is a great way to display and hopefully sell more of my panorama photos. Click to see my feature World Panorama Stock page with my bio and the images that I’ve submitted so far. There are many other fantastic panoramas for you to enjoy, check out some of the other featured photographers or use the category or search feature.

Sydney Panorama and the 17-40mm f/4.0 L lens

My latest panorama release is a stitched panorama from Sydney, shot from Kiribilli across the harbour. It is late afternoon and the sun is low and the strong sidelight lights up the Opera House. The panorama is 7 vertical images stitched in PTgui and then I did some post production in Photoshop, including a custom vignetting and some dodging and burning. PTgui did a very respectable job of blending a panorama shot across the harbour even with water in motion. This is the big drawback of stitching digital panos as opposed to a true panoramic 6×17 camera – motion! Especially water is really hard to stitch, there will be a big difference between shots when you have a bit of wind. I probably still have a bit of cloning to do in this panorama shot, but here it is – click the image to see 1000 pixel version on my website:

Click to see large size on my gallery!

Sydney Panorama, Opera House, Skyline and Harbour Bridge

Like many of my panos it is shot with the Canon 17-40mm f/4.0 L lens and I really recommend this for landscape and cityscape work including panoramas. It is super tack sharp (a fair bit sharper than the 24-105mm f/4.0 L lens!) and the coating on this lens produces some fantastic colours even without polarizer (which of course you can’t use in a stitched pano!). Only problem with the 17-40 L – it’s actually too light so it doesn’t create enough counterweight, shooting handheld I always end up with slightly tilted horizons! Well, the weight problem will be cured when I get the 16-35mm f/2,8 L !

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